备注：已完结
类型：剧情片
主演：Johanne Milland 约瑟芬·帕克 苏菲·格拉宝 拉斯·米克
语言：丹麦语
年代：未知
简介：单纯的果园女孩丽芙遇上气质跳脱的安德里亚，在背德相恋、与男友分手、与安德里亚闹矛盾这一系列风波后，丽芙终于明确了自我身份，安德里亚也找到了心之所属正是丽芙，一个幸福的花园故事～
备注：已完结
类型：泰剧
主演：皮塔亚·萨丘安 Offroad Kantapon Jindatawee
导演：Mi Thanawat Panyarin Ah Santi Torwiwat
语言：泰语
年代：未知
简介：Than警官接到了一份保镖的工作，负责保护Pheem，他是一家私立医院老板的小儿子。医院开业当天，Pheem遭遇了一起刺杀事件。幸好，Than及时赶到，Pheem对他的本领印象深刻，并邀请他担任自己的私人保镖。Than为人随和直率。随着他与Pheem的接触越来越深入，他发现Pheem与他截然相反——冷酷狡猾。随着他不断遭遇刺杀，以及Pheem家族冷漠的关系逐渐加深，他开始看到冰冷外表下隐藏的伤痛和孤独。与此同时，Than的温暖和幽默开始让他心软。
备注：已完结
类型：动漫
主演：Phillip Glasser James Stewart Erica
语言：英语
年代：未知
简介： Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan. Unaware of this, the Mousekewitz's begin their journey west, while their true cat friend, Tiger, follows intent on following his girlfriend gone in the same direction.
备注：已完结
类型：动漫
主演：Paul Ainsley Alan Altshuld Nicholas
导演：罗恩·默克
语言：英语
年代：未知
简介： 马可波罗（约翰·马修斯 John Matthews 配音）是一位著名的旅行家，在完成了对于神秘古国香都的拜访自后，马可波罗准备打道回府。临行前，可汗（迈克尔·卡斯洛夫 Michael Kostroff 配音）将珍贵的金币赠送给马可波罗彰显两国友谊，却没想到，野心勃勃的大臣福林（Anthony Mozdy 配音）盗走了金币，下落不明。 一晃眼数十年过去，马可波罗的后代小马可（尼古拉斯·冈萨雷斯 Nicholas Gonzalez 配音）带着拥有穿越时空之能力的半块金币再度回到了香都，想要解开围绕着金币产生的谜团，与此同时，福林亦再度现身。小马可和朋友们能否打败福林夺回金币，并且拯救身陷险境的公主殿下呢？
备注：已完结
类型：爱情片
主演：Ini Dima Okojie Ruslaan Mumtaz Rich
语言：英语
年代：未知
简介： A Nigerian woman and an Indian man won't let cultural differences get in the way of their romance.
备注：已完结
类型：爱情片
主演：弗雷德里克·马奇 伊夫琳·维纳布尔 盖伊·斯坦丁 凯瑟琳·亚历山大 吉
导演：米切尔·莱森
语言：英语
年代：未知
简介： Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
